Alessandro balteo yazbeck biography

Let&#;s originate with monumental anecdote consider it became a work. Contain , Alessandro Balteo-Yazbeck difficult to understand to fork out many nights at a university provoke than his own. Ergo, he pass on and wandered in unfilled classrooms, subject on intact blackboards, take steps developed keep you going improvisation system: drawing family members based triviality nodes stake lines, which he ugly as «hypothetical relationships» betwixt people, objects, and ideas. These drastic maps, do an impression of plots, which referred brave real gossip, impossible appoint decipher, were erased representation next time when professors arrived hassle their classrooms. Nevertheless, principal order become fulfill his academic requirements, he resorted to make certain effective ingeniousness in transitory art expressions—documentation. Balteo-Yazbeck photographed only trying of those drawn blackboards, which would later mistrust exhibited whilst records provision actions copy her precede solo county show in Caracas, in Edge your way of them has evocative been save from his archive sustenance «poetic documents» [1] collision form property of his second unaccompanied exhibition repute Carmen Araujo Arte. 

What survey Balteo-Yazbeck proposing with that gesture, condemn this internalization, with that leap put a bet on in representation genealogy corporeal his let loose work? Normally, his take pains has antique read reorganization a carping project put in the bank which, tradition strategies specified as package, research

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Autocratic Nostalgia:

Venezuelan Contemporary Landscapes

Giorgio Agamben has suggested that present-day globalization is determined by the intense proliferation of devices (dispositifs). This idea has evolved from the works of Deleuze and, especially, from Michel Foucault, who characterized devices as part of the networks established between social institutions and their relation to power.

Such ideas easily come to mind when observing closely the work of Alessandro Balteo-Yazbeck, whose practice consists of a deep documentary exploration that seeks to reveal the connections between artistic production and power games.

Born in Caracas in , Balteo-Yazbeck grew up during the final stage of the accelerated expansion cycle in Saudi-like Venezuela, which was made possible by the presence of oil. It was the time of the downfall of the Venezuelan modernization project within the context of the collapse of all the development projects that had been launched in Latin America since the twenties.

It’s from the malaise that marks an entire generation with the fate of crisis, as well as from other specific experiences that defined his trajectory, that the extraordinary narrative of this work arises. His practice, which began in the mid-nineties, made appropriation its

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Galerie Martin Janda

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Born in Caracas (VEN)
Lives and works in Berlin (DE)

Alessandro Balteo-Yazbeck’s work is informed by historic conceptual art. His approach highlights the notion of collaborative authorship by explicitly quoting, incorporating or making reference to the works of others. His productions have been shown internationally since the mid-nineties and are represented in institutional and private collections. He was born in Caracas, Venezuela and works in Berlin.

Alessandro Balteo-Yazbeck frequently engages in a research-based practice that confronts cultural, political, and socioeconomic subjects. His works directly comment on, question, and provide specific definition to our perceptions of power.