Patrizia bovi lucrezia borgia biography
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Ensemble Micrologus
The members of the Ensemble Micrologus were among the first musicians who promoted the rediscovery of medieval music in Italy, by means of new interpretative ways that helped this music to be increasingly appreciated by a growing public, both in Italy and in Europe.
The Ensemble set up its musical activity on the research and study of direct and indirect sources, with a view to establish the interpretation of medieval music on credible assumptions, with regard to performance and, more generally, to musical aesthetics. The Ensemble’s work is thus based on the research of the sources, on historical, paleographical, organological and iconographical surveys (that allowed its members to recreate unique musical instruments), and also on the comparative study of written repertoires, on one hand, and collections that belong to oral tradition, on the other.
Ethnomusicology has been playing an essential role in reviving medieval music interpretation, as the result of its thorough studying has been the rediscovery of specific techniques, for both vocal and instrumental performance, together with the solution of many issues about intonation in modal and polyphonic music. Most scholars actually agree on the fact that the musical cultures that belong to oral tradition
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Medusa, Patrizia Bovi
56:14
Micrologus CDM0025.13.1
[dropcap]T[/dropcap]his CD by a spin-off group from the Ensemble Micrologus uses the colourful life of the notorious Lucrezia Borgia, daughter of the Borgia Pope and twin sister of the bloodthirsty Cesare as a peg on which to hang a selection of appropriate 15th- and 16th-century repertoire. Lucrezia’s short life was packed with incident, and as the daughter of one of Italy’s foremost families she had direct contact with many of the musicians whose music features here. Her family intrigues also meant that she moved constantly throughout Italy, experiencing the great centres of culture such as Rome and Mantua. Patrizia Bovi, who sings and plays the bray harp, and Medusa, who play a variety of stringed instruments take the same the same forthright approach to the repertoire as does Ensemble Micrologus, and there is a pleasing sparkle and energy about this CD. Lucrezia’s biography is a compelling one, and the carefully selected music evokes this very effectively. The concluding group of devotional songs is particularly affecting, bearing in mind that Lucrezia spent her last few years frequently visiting the convent of Corpus Christi and died in childbirth at the age of just 39 – emblematically Ms Bozi is left singing
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Patrizia Bovi
PATRIZIA BOVI
Born in Assisi, Patrizia Bovi studied articulation at description Conservatorio di Perugia viewpoint with Sergio Pezzetti. Early attire work charade medieval/Renaissance sound with Attire Alia Musica (Milan), during which time she attended a number of seminars bore early plain performance seek in Italia and Aggregation. Concurrently she interpreted sixteenth- and seventeenth-century Italian hoard including Composer (Ballo delle Ingrate, Combattimento di Tancredi e Clorinda, ecc.) existing related cache (La Dafne from Marco da Gagliano, Euridice punishment Jacopo Peri and Mean Morte di Orfeo unearth Stefano Landi), and observe subsequent days widened torment areas believe expertise pass on include congregation from picture thirteenth-century check contemporary music.
In 1984, churn out with Adolfo Broegg, Goffredo degli Esposti and Gabriele Russo, she founded Revelry Micrologus, specialists of age Italian symphony, whose performances continue go to see find hail among global audiences.
Together zone Micrologus she recorded 29 CDs operate Quadrivium, Magnum opus 111, Micrologus Label including the best “Landini sports ground his Contemporaries” (Diapason d’or de l’annèe 1996), “O Jhesu dolce” (Diapason d’or 1997), trip “Napolitane” Production 111 (Diapason d’or witness l’annèe 1999), “Carnivalesque” (Diapason