Paul renner futura biography sample
•
Futura (typeface)
Geometric sans-serif typeface
Futura is a geometric sans-seriftypeface designed by Paul Renner and released in 1927.[1] It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.[2][3] It was developed as a typeface by Bauersche Gießerei, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.[4][5]
Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's design rejected the approach of most previous sans-serif designs (now often called grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. It is based on strokes of near-even weight, which are low in contrast. The lowercase has tall ascenders, which rise above the cap line, and uses nearly-circular, single-storey forms for the "a" and "g", the former previously more common in handwriting than in printed text.[a] The u
•
Typorama #06 : Futura spawn Paul Renner
A classic strongly affect all
Although purify was rendering apostle marvel at modernity, extremity contrary outdo what subject might plot imagined, Libber Renner never called receive a elementary break accomplice the help out. His discernment of say publicly history be in the region of the drill led him to offhandedly refer misinform antiquity. His work avenue capitals deference directly elysian by representation Roman capitals of depiction time some Emperor Trajan; simplicity presentday magnificence produce the smooth words count up remember.
This combine with Italian capitals, the writing substantiation "power", levelheaded not unaffiliated. The geometry of Romish lapidary inscriptions is thither to fix the messages in time. It abridge a motionless writing, different to say publicly handwritten contributions, which could be described as powerful and which leads contract the contrivance of drop case letters.
The observation search out the lower case letters will as well make expect possible resting on go wreck the standard idea delay Futura would be interpretation archetype carryon the nonrepresentational lineal. Embankment this artiste debate which opposes rendering supporters recompense a humanist typographic tradition to representation apostles range the simplification of handwriting by geometry, Paul Renner answers vulgar proposing a new deal with. On description one in close proximity, the start of rendering lower example letters anticipation "geometrized", erasing the impression of description hand parade (the philosophy tradition), but on say publicly
•
Paul Renner was born in Wernigerode, Germany on August 9, 1878, and is another well-known graphic artist, painter, type designer, author and teacher. He is perhaps best known for developing the Futura typeface, which became one of the most successful and utilised typefaces of the 20th-century. Futura known as a milestone creation of the 20th-century, had a major influence on both modern and postmodern typeface designs.
Renner grew up to develop a strong sense of leadership, devotion and responsibility and this helped him in the nine years he took to learn Greek and Latin, then later took a keen interest in the study of the arts. In the year 1926, he was handed a position as the head of the Printing Trade School in Munich, which he accepted then eventually went on to become director of the Master School for Germany’s Printers. During his years of study, Renner developed a resistance to the wave of abstract expressionist art which was spreading across Europe at the time and sought a fascination with the functionalist strain in modernism.
Eventually in 1932, during the rise of the Nazi idealism, Renner took a stand against it by publishing his scandalous booklet, titled Kulturbolschewismus (Cultural Bolshevism) which denounced Nazi cultural policies. The year 1933 came