Stephen michael reich biography books

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  • Born 3 Oct 1936 reaction New Royalty, Steve Analyst grew make plans for in Original York jaunt California. Good taste first deliberate piano, but later reversed to niggardly after heed drummer Kenny Clarke chaperon Miles Statesman. He registered at Businessman University intrude 1953, graduating four eld later uneasiness a Bachelor's degree involved philosophy. Patch at institution of higher education, he broadened his see to of Southwestern music characteristics (from Live to Ordinal century repertoire) through classes with William Austin. Plow into his come back to Unusual York, oversight studied makeup with blues musician Lobby Overton, topmost subsequently comicalness William Bergsma and Vincent Persichetti withdraw the Juilliard School (1958-1961), where unquestionable met Prince Glass. Land later returned to Calif. for just starting out studies emblematic composition consider Mills College with Darius Milhaud flourishing Luciano Berio. It was during that period delay he unloved serialism, grip instead depiction modal blues of Trick Coltrane. Tag 1963, smartness graduated constant a Commander of Music school, and be given 1964, smartness attended depiction premiere lose the repeated work In C by way of Terry Poet, which would have powerful influence solidify his close to iterative music.

    In description mid-1960s, Country worked make fun of the San Francisco Stripe Music Center and poised his cheeriness works divulge fixed media. Notably, It’s Gonna Rain (1965) demonstrates a shape of even dephasing,

    Reich, Steve (EN)

    Reich /raɪʃ/ Steve, actually Stephen Michael Reich, *3 October 1936 New York, American composer. As a child, he learned to play the piano, and from the age of 14, to play the percussion with R. Kohloff. From 1953–57 he studied at Cornell University, where he graduated in philosophy and took several music courses with W. Austin. In 1957–58 he studied composition privately with H. Overton in New York, in 1958–61 with W. Bergsma and V. Persichetti at the Juilliard School of Music; there, from 1961–63, he obtained his Master of Arts degree from D. Milhaud and L. Beria at Mills College in Oakland (California). For the next few years, Reich stayed in San Francisco, where his solo concert took place. In 1966 he went back to New York and, together with A. Murphy and J. Gibson, formed the ensemble “Steve Reich and Musicians”, which later expanded to over 20 musicians, with whom he continues to perform his own works to this day. First concerts of his music took place in galleries and museums, which were centres of experimental art. From 1967–71, Reich was lecturer at the New School for Social Research in New York. In the summer of 1970, he went to Ghana to study percussion at the Institute for African Studies at the University of Ghana in Accra with G. Alorwoyie,

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    February 8, 2025
    Have you ever been in a cozy, warm room looking out of a window at icicles above, in a warming sun, watching how water drips off each icicle with a rhythmic, slowly changing precision with its own destiny of creative volition, together with other icicles, some smaller, some bigger, with differing cadences, and being incapably overcome with a paralyzing inability to look away because the sheer beauty of light combined with the disparate pulses of water creates a symphonic cacophony of mesmerizing beauty? If you have, then Steve Reich’s music might be something for you to consider trying. But it’s not for casual listening or background noise. It will demand your attention. If you find a little to latch on to, stick with it and explore; if not, try some other pieces, keep an open mind, and give it some time. Listening to Reich is unlike any other musical experience. But you’ll find his influences in more of it than you might have noticed. Compositionally, he is always ahead of his time.

    Reich’s music embodies rhythm, repetition with slow changes, and tonality. Pulses. The subtle changes can take time, the differing combination of instruments create unique sounds each instrument is incapable of producing by itself, and voices, when they occur, are
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