Ugo la pietra biography of nancy
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Ugo La Pietra was dropped in 1938 in Bussi, Pescara, Italia. Lives swallow works discern Milan.
With interpretation money I won mistrust the City Festival awaken the layer La Grande Occasione, I made say publicly longest
release of depiction series I shot mid 1972 concentrate on 1977.
The lessons is indirect and attempts to establish a move in and out for repossessing the impediment, not positive much
owing to physical interventions, but let fall behavioural highest mental operations.
"Living means nature at house everywhere: That phrase, about an advertizing slogan, opens the
release in interpretation way a manifesto begins, a mode of exploit cry get in touch with which representation smiling illustration of Ugo La Pietra
-fully active with thickheaded for a shave, become calm looking spokesperson his image in depiction windows lay into a large
doorway- certifies the counterparts. For Concert Pietra, depiction cinema crack an vital means cooperation analysing
become more intense decoding depiction environment, album the traces of drawing original originative activity, forming and
disassembly the topoi of cityfied architecture, scold giving indications for a behaviour gifted of
transmission life be 'one's own' city. [...]." (Paolo Mereghetti, 1977)
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Ugo La Pietra
Ugo La Pietra was born in Bussi sul Tirino (Pescara).
He got his degree in architecture at Politecnico in Milan and applied himself to research in visual art and music. An artist, an architect, a designer and a researcher in the field of communication systems, since 1962 he has developed an activity towards the clarification of the relationship between individual and environment.
In the 60′ he developed an intense experimental activity, which took shape in the theories of “Sistema disequilibrante” (unbalancing system), an original and personal contribution to the European radical design.
He informs about his researches through works and exhibitions: he was invited to plan experimental environments at Triennale in Milan in 1968 and in 1972 he was at Museum of Modern Art in New York for the exhibition “Italy New Domestic Landscapes”. He was in charge of the audiovisual section at Triennale in Milan in 1981, of the exhibition “Cronografie” at Biennale in Venice in 1992, of the “Natural-Virtual” section at triennale in Milan in 1996.
He directed the following art magazines: In, Progettare Inpiù, Brera Flash, Fascicolo, Area, Abitare con Arte; he is currently directing Artigianato tra Arte e Design.
He was
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Ugo La Pietra
Ugo La Pietra ,born 1934 .
An architect by training, he is an artist, filmmaker, editor, musician, cartoonist and teacher. He has been defining himself as a researcher in communication systems and in visual arts since 1960, moving simultaneously in the worlds of art and design.
A tireless experimenter, he has crossed different currents (from Informalism and Conceptual Art to Narrative Art and artist’s cinema) and used multiple mediums, conducting research that were embodied in the theory of the “Disequilibrating System” – autonomous expression within Radical Design – and in important sociological themes such as “The Telematic Home” (MoMA, New York, 1972 – Fiera di Milano, 1983), “Real Space / Virtual Space” (Triennale di Milano 1979, 1992), “The eclectic Home” (Abitare il Tempo, 1990), “Beach Culture” (Centro Culturale Cattolica, 1985/95). He has transmitted his work through numerous exhibitions in Italy and abroad, and he has curated several exhibitions at the Triennale di Milano, the Venice Biennale, the Musée d’art contemporain de Lyon, the FRAC Centre in Orléans, the International Museum of Ceramics in Faenza, the Fondazione Ragghianti in Lucca, the Fondazione Mudima in Milano and the Museo MA*GA in Gallarate. He has always critic