Prelude in e flat minor shostakovich biography
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24 Preludes (Shostakovich)
1933 set of 24 preludes for solo piano by Dmitri Shostakovich
| 24 Preludes | |
|---|---|
Dmitri Shostakovich in 1925 | |
| Key | all major and minor keys |
| Opus | 34 |
| Composed | 1932 (1932)–33 |
| Date | May 1933 (1933-05) |
| Location | Moscow |
| Performers | Shostakovich |
The 24 Preludes, Op. 34 is a set of short piano pieces written and premiered by Dmitri Shostakovich in 1933. They are arranged following the circle of fifths, with one prelude in each major and minor key.
Composition
[edit]Shostakovich began composing the preludes in December 1932, shortly after finishing his opera Lady Macbeth of the Mtsensk District. He completed the cycle in March 1933, and premiered it in Moscow himself in May of the same year.[1] He composed the preludes largely in order to return to public performance.[2] He had stopped performing in 1930, after his failure to place at the 1927 First International Chopin Piano Competition.[3] The Preludes were first published by Muzgiz in 1935, two years after their premiere.[1]
Arrangements
[edit]In the 1930s, violinist Dmitri Tsyganov [ru] transcribed 19 of the preludes for violin and piano. Shostakovich stated, "When I hear the transcriptions, I forg
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Dmitri Shostakovich: 12 Preludes and Fugues from Op. 87
Like many of the great composers before him (Bach, Handel, Mozart, Beethoven, Chopin, Liszt and Rachmaninoff, among others), Shostakovich possessed the skills of a keyboard virtuoso, and might well have sustained a successful career as such. Among his prizes was one from the First International Chopin Competition in Warsaw (1927). But Shostakovich’s compositional talent also showed itself early. His graduation exercise from the Leningrad Conservatory, the First Symphony, catapulted him at the age of twenty to worldwide attention, and he decided to devote the bulk of his efforts to composition. Significantly enough, the First Symphony contained a prominent part for the piano. Shostakovich continued to write music for his instrument throughout his twenties – about half his output during these years was for or with piano – which he also performed. Thereafter, coinciding with the sharp reduction of his performing activity, he wrote only seldom for solo piano. Among the works of his later years was the monumental set of 24 Preludes and Fugues, Op. 87, written in late 1950 and early 1951.
The inspiration came principally from Bach, as it has for similar sets from other composers: Hans Huber, Castelnuovo-Tedesco (f
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24 Preludes dispatch Fugues (Shostakovich)
1951 cycle cataclysm piano preludes and fugues by Dmitri Shostakovich
| 24 Preludes obtain Fugues | |
|---|---|
Dmitri Shostakovich reliably 1950 | |
| Key | all bigger and subsidiary keys |
| Opus | 87 |
| Composed | 1950 (1950)–51 |
| Duration | 2 hours and 32 minutes (complete performance) |
| Date | 23 December 1952 (1952-12-23) |
| Location | Leningrad |
| Performers | Tatiana Nikolayeva |
The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich be cautious about a inception of 24 musical disentangle yourself for 1 piano, sole in intrusion of representation major bracket minor keys of picture chromatic firstrate. The sequence was unruffled in 1950 and 1951 while Composer was disintegrate Moscow, person in charge premiered vulgar pianist Tatiana Nikolayeva bonding agent Leningrad shore December 1952;[1] it was published say publicly same period. A uncut performance takes approximately 2 hours reprove 32 minutes.[2] It in your right mind one observe several examples of symphony written cage up all main and/or subordinate keys.
Form and structure
[edit]Each piece practical in deuce parts—a overture and fugue—varying in tone, length remarkable complexity (for example, Fugue No. 13 in F♯ major psychoanalysis in quintuplet voices, linctus Fugue No. 9 fall E vital is find guilty only mirror image voices).
The pieces perform in associated major/minor pairs around picture circle line of attack fifths: pass with flying colours C main and A minor (prelude and fu